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Santiago Romero Artist

[Summary]Artist as Trickster, Trickster as Art: Santiago Romero's Ceramic Coyotes [13 Photos] At the 2014 Santa Fe Indian Market, I sat on the curb behind Santiago Romero's booth for the better part of an afternoon, interviewing him and not at all minding the

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Artist as Trickster, Trickster as Art: Santiago Romero's Ceramic Coyotes [13 Photos]

At the 2014 Santa Fe Indian Market, I sat on the curb behind Santiago Romero’s booth for the better part of an afternoon, interviewing him and not at all minding the interruptions from intermittent passers-by. They’d be one of two kinds. Friends: other young Native dudes prompting him to battle dance or reminding him that it’s really annoying that he refuses to use a cell phone. Customers: blonde, turquoised, long-skirted, cowboy hatted women. Most of them southern. He would almost exclusively speak to them in a British accent. It made so much sense.

Santiago Romero

Name: Santiago Romero

Santiago Romero, native to beautiful southwest, an artist with a nitch for hair, color and photography. Being an artist in the beauty industry has made Santiago one of the fastest growing hairstylists. Assisting under Christopher Valdez (owner of INSPIRE salon) has made Santiago in to the beast he is today! Attacking each head with the combined knowledge of Toni&Guy, Urban Academy, and Christopher Valdez he has some of the best training in color, hair cutting and over all hairstyling. Color is one of the key components in hairstyling, from vibrant reds to light icy blondes, to the warmest of chocolate brunettes . Knowledge from many years as an artist/ professional photographer, he brings the concept of shape, color, design, and composition into hairstyling. Using some of the latest techniques and following multiple hair/ fashion blogs and magazines. Santiago is always looking to create the latest and greatest trends of hair on Albuquerque's trendiest people.

Josele Santiago

Santiago Romero Artist

Spanish guitarist, singer and composer, born in 1965.

Artist Talk by Mateo Romero

Contemporary Pueblo painter Mateo Romero was born and raised in Berkeley, California. Although his cultural background is an urban one, through his father Santiago Romero and his connection to their Southern Keresan Cochiti people, this experience includes much of the Rio Grande Pueblo world as well. Mateo attended Dartmouth College and studied with acclaimed artists Ben Frank Moss and Varujan Boghosian. He received an MFA in printmaking from the University of New Mexico. Mateo is an award-winning artist who has exhibited internationally in Canada and in the United States. He is currently a Dubin Fellow in painting at the School of American Research in Santa Fe, NM, and paints in his studio in Santa Fe and lives in Pojoaque Pueblo with his wife, Melissa, and their children Erik, Povi, and Rain. Sponsored by the Friends of the Haffenreffer Museum of Anthropology and donors to the Barbara A. and Edward G. Hail Lecture Fund.

Francisco Romero

Canvas Prints

Framed Prints

Metal Prints

Acrylic Prints

Greeting Cards

iPhone Cases

Galaxy Cases

Throw Pillows

Duvet Covers

Shower Curtains

Men's Apparel

Women's Apparel

Round Beach Towels

Weekender Tote Bags

Portable Battery Chargers

Sample Kits

Diego Romero

Adobe Gallery

221 Canyon Road

Santa Fe, NM 87501

Phone 505.955.0550

Email [email protected]

www.adobegallery.com

Chilean Protest Murals

Many hundreds of protest murals were created in Chile during the dictatorship of Gen. Augusto Pinochet (1973-1990). The photographer Andrés Romero Spethman worked alongside muralist brigades representing political parties such as the Partido Socialista and the Izquierda Cristiana. Created in and around Santiago between 1983 and 1990, the murals document the spirit, force, and iconography of political protest during an important period of Chilean history. Common pictorial themes were the Moneda Palace in flames, images of the deposed president Salvador Allende, the martyred musician Víctor Jara and the poet Pablo Neruda. Most of these murals were destroyed by government authorities soon after their creation. Andrés Romero Spethman's negatives have been cataloged and digitized and are available through VIA.

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