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Mecano Entre El Cielo Y El Suelo

[Summary]Mecano Mecano is truly missed. And this record is a masterpiece from beginning to end. If you haven't heard it, don't miss it! Published on November 24, 2009 by TNJURA entre el cielo y el suelo-mecano Entre el Cielo y el Suelo Mecano already were an

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Mecano

Mecano is truly missed. And this record is a masterpiece from beginning to end.
If you haven't heard it, don't miss it!

Published on November 24, 2009 by TNJURA

entre el cielo y el suelo-mecano

Mecano Entre El Cielo Y El Suelo

Entre el Cielo y el Suelo

Mecano already were an established band in their origin country, Spain, when they went into the studio to record their fifth studio effort. Nevertheless, up to the release of Entre el Cielo y el Suelo, Mecano's success had seemed somewhat fluky, built on some beautifully crafted pop sensibilities and a very fortunate choice of singles. But then Entre el Cielo y el Suelo came, a powerful collection of potential hits without a single song of landfill to spoil the global result. The record is easily the band's finest to date, combining both Nacho's and Jose Maria Cano's composition skills and, more beautiful than ever, Ana Torroja's flawless voice. The warmth of ballads like "Me Cuesta Tanto Olvidarte" or "Hijo de la Luna" joins together with the melodic perfection of tunes like "Cruz de Navajas," "Ay, Qué Pesado," or even "Las Cosas Pares." Entre el Cielo y el Suelo was Mecano's first work in which Jose Maria, the older of Cano's brothers, manages to demonstrate his authentic value as a composer, leaving behind the aura of the secondary role that had accompanied him until this point. To him belong some timeless, fascinating pop treasures, turned with the step of the years into some of the band's (even Spanish pop's) seminal songs, such as the aforementioned "Cruz de Navajas," "Hijo de la Luna," and "Me Cuesta Tanto Olvidarte" as well as the not less brilliant "No Es Serio Este Cementerio." Meanwhile, his brother Nacho continues showing signs of his compositive geniality in "50 Palabras, 60 Palabras ó 100" or in the poetic "Las Cosas Pares." Ana Torroja reaches kind of enviable vocal registers, which will continue developing throughout subsequent works. The innocent techno-pop of Mecano's beginnings has been transformed here into more mature and timeless singer/songwriter compositions with some well-crafted lyrical and musical passages which made the delights, not only of the band's more unconditional and youthful public, but also of a sector of more adult and traditional tastes.

Mecano

Mecano is truly missed. And this record is a masterpiece from beginning to end.
If you haven't heard it, don't miss it!

Published on November 24, 2009 by TNJURA

Mecano

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- Entre El Cielo Y El Suelo [Audio CD] Mecano

Mecano is truly missed. And this record is a masterpiece from beginning to end.
If you haven't heard it, don't miss it!

Published on November 24, 2009 by TNJURA

Mecano

Mecano was a Spanish pop band formed in 1981 and active until 1992. Mecano became one of the most successful Spanish pop bands of all time. The band is still the best-selling Spanish band to this date, reaching over 25 million albums worldwide.[1] They had a brief comeback in 1998. They were considered by some to be avant-garde for their time.[2]

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