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[Summary]The History of Judas Priest's Dark Fourth Album, 'Stained Class' Subscribe to Ultimate Classic Rock on When Judas Priest released their fourth album, Stained Class, in February 1978, the British metal band could never have dreamed its musical merits

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The History of Judas Priest’s Dark Fourth Album, 'Stained Class'

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When Judas Priest released their fourth album, Stained Class, in February 1978, the British metal band could never have dreamed its musical merits would one day be co-opted and the album’s legacy almost destroyed by a hideous tragedy.

Back in early 1978, the members of Priest were simply concerned with establishing their career. After making a rather spotty first impression on the inconsistent Rocka Rolla LP, only to deliver a game-changing classic in 1976’s Sad Wings of Destiny, Priest had justified their subsequent graduation to Columbia Records on the following year’s impressive Sin After Sin. But it was Stained Class that really took things up a notch and, in many ways, showed the way forward for the group.

Banda Album Class

Banda Album Class no Morrison - Mr. Crowley
www.albumclass.com

Ballet Class Music: Ballet Etudes by Robert Long on Apple Music

Great music for class

by t3rpschor3

The music on this album is great in terms of the feel and tempo of each exercise, and it's more musically interesting than some of the other ballet class albums out there. My only complaint is that some of the pieces are quite short, which makes for a lot of stopping and starting during practise.

George Carlin

Class Clown is the third comedy album released by American comedian George Carlin. It was recorded May 27, 1972 at the Santa Monica Civic Auditorium in Santa Monica, California, and released in September.

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Different Class

After years of obscurity, Pulp shot to stardom in Britain with 1994's His 'n' Hers. By the time Different Class was released at the end of October 1995, the band, particularly lead singer Jarvis Cocker, were genuine British superstars, with two number two singles and a triumphant last-minute performance at Glastonbury under their belts, as well as one tabloid scandal. On the heels of such excitement, anticipation for Different Class ran high, and not only does it deliver, it blows away all their previous albums, including the fine His 'n' Hers. Pulp don't stray from their signature formula at all -- it's still grandly theatrical, synth-spiked pop with new wave and disco flourishes, but they have mastered it here. Not only are the melodies and hooks significantly catchier and more immediate, the music explores more territory. From the faux-show tune romp of the anthemic opener "Mis-Shapes" and the glitzy, gaudy stomp of "Disco 2000" (complete with a nicked riff from Laura Branigan's "Gloria") to the aching ballad "Underwear" and the startling sexual menace of "I Spy," Pulp construct a diverse, appealing album around the same basic sound. Similarly, Jarvis Cocker's lyrics take two themes, sex and social class, and explore a number of different avenues in bitingly clever ways. As well as perfectly capturing the behavior of his characters, Cocker grasps the nuances of language, creating a dense portrait of suburban and working-class life. All of his sex songs are compassionate, while the subtle satire of "Sorted for E's & Wizz" is affectionate, but the best moment on the album is the hit single "Common People," about a rich girl who gets off by slumming with the lower class. Coming from Cocker, who made secondhand clothes and music glamorous, the song is undeniably affecting and exciting, much like Different Class itself.

UTSA offering class based on Beyoncé's 'Lemonade' album

Album Class

UTSA students enrolled in a new English course titled "Black Women, Beyoncé & Popular Culture" are delving into a raw, semester-long analysis of the singer's 2016 audiovisual project, "Lemonade," and its relativity to "black feminism."

Visual Album Class Series

Album Class

New! Visual Album Class Series Summer 2017 ​Starts Thursday, June 8th!

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